Flauto Dolce » Metodi e Studi » 315630

Staeps, H.U.
The Daily Lesson. Exercises for advancing players, per Flauto dolce Contralto

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Editore: Universal

Pentatonische Folgen
Pentatonic sequences
Enchaînements pentatoniques · Lockerung des linken Daumens und Handgelenks
Loosing of left thumb and wrist
Assouplissement du pouce et du poignet gauches · Verkürzte Reihen
Scales progressively shortened
Gammes abrégées · Die Tonleiter F-Dur und ihre Mollparallele
F major scale and its relative minor scale
La gamme de fa majeur et sa relative mineure · Die Tonleiter G-Dur und ihre Mollparallele
G major scale and its relative minor scale
La gamme de sol majeur et sa relative mineure · Terzsprünge
Leaps in thirds
Sauts de tierces · Trochäische und jambische Bindungen
Trochaic and iambic slurs
Liaisons en iambes et en trochées · Akkordzerlegungen, diatonisch
Broken chords, diatonic
Accords brisés, diatoniques · Die Tonleiter B-Dur und ihre Mollparallele
B flat major scale and its relative minor scale
La gamme de si bémol majeur et sa relative mineure · Septimenketten
Sequences of 7th chords
Enchaînements d'accords de septième · Zerlegte Drei- und Vierklänge
Broken chords of three and four notes
Accords brisés de trois et quatre notes · Die Tonleiter C-Dur und ihre Mollparallele
C major scale and its relative minor scale
La gamme de do majeur et sa relative mineure · Fallende Quarten
Descending fourths
Quartes descendantes · Tetrachorde in beide Richtungen
Tetrachords up and down
Tétracordes ascendants et descendants · Die Tonleiter D-Dur und ihre Mollparallele
D major scale and its relative minor scale
La gamme de ré majeur et sa relative mineure · Dreierfolgen in Vierergruppen, chromatisch
Sequences of three notes in four-note groups, chromatic
Suites de trois notes groupées par quatre, chromatiques · Alle Töne außerhalb der Stammtonleiter
All notes outside F major
Toutes les notes sauf la tonique · Diatonische Leitern mit nachfolgender chromatischer Ausfüllung
Diatonic scales interspersed with chromatic notes
Gammes diatoniques avec ajout de chromatisme · Die Tonleiter Es-Dur und ihre Mollparallele
E flat major scale and its relative minor scale
La gamme de mi bémol majeur et sa relative mineure · Fallende Intervalle wachsender Größe
Descending intervals progressively enlarged
Intervalles descendants, de plus en plus grands · Wechselrhythmen, chromatisch-pentatonisch
Alternating rhythms, chromatic-pentatonic
Rhythms alternés, chromatiques-pentatoniques · Die chromatische Tonleiter
The chromatic scale
La gamme chromatique · Ganztonfolgen
Whole tone sequences
Suites de tons entiers · Ausschnitte der Dur-Leitern im Oktavrahmen
Parts of major scales within the compass of an octave
Extraits de gammes majeures sur une octave · Zerlegte Akkorde mit gleichbleibendem Anfangston
Broken chords with the same initial notes
Accords brisés commençant sur la même note · Terzen mit Halbtonrückungen in beide Richtungen
Thirds progressing in semitones in both directions
Tierces progressant par demi-tons, ascendantes et descendantes · Läufe und Akkorde im Gesamttonraum der Altflöte
Scales and arpeggios within the complete compass of the treble recorder
Gammes et arpèges sur tout le registre de la flûte alto · Harmoniegestützte Folgen
Chordal progressions
Progressions harmoniques


These exercises are written to improve finger, articulation and breathing technique as well as to increase in speed. They can be used on treble recorders with either German or English fingerings. As daily exercises, when mastered completely, they should be played through in 40 minutes all together. At each stage compare the time taken with the figure in seconds given at the end of each exercise, and aim at the performance of the complete book within the prescribed time. Of course, any part of it may be used as practice material and in your own time. If nothing else is mentioned, play both legato as well as staccato.

The player will notice that each exercise has its own individual structure, melodically, rhythmically or harmonically; he/she is advised to trace and consider these musical features. The mastering of the instrument is reached only when the printed music is formally and harmonically completely absorbed and freely expressed while playing.

The composition and the order of the exercises are based on the author's long experience as a teacher. They aim at the extension of daily practice throughout the so long neglected complete chromatic compass of the recorder in order to comply with the demands of modern music.